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- BP Scale Structures Bohlen, Heinz.
- Classical, Romantic, and 20th Century Music
by Jean Richards, University of Minnesota, Morris.
- Computer Music
Course. by Brian Evans, Vanderbilt University.
- Erlich, Paul. "Tuning, Tonality and
Twenty-Two-Tone Temperament", Xenharmonikôn vol. 17, spring 1998, pp. 12-40.
- Ewell, Terry B. The Bassoon-Family Fingering
Companion,
- Fink, Bob. "A brief description of the natural
forces bringing the 'do, re, mi, scale' into existence", The Origin of Music,
Greenwich Publishers, Saskatoon, 1997.
- Foote, Edward. Historical Tunings on the
Modern Concert Grand
- Gann, Kyle - Just Intonation Explained, 1997.
- Gann, Kyle. An Introduction to Historical Tunings,
1997.
- Gann, Kyle. The Tingle of p X Mn - 1, 1999.
- Geidel, Stanley. Intonation and Blending in an
Ensemble
- Grundmann, Bill. Alternative Tuning and How
We Hear, 1997
- Hagel, Stefan. Ancient Greek Music 1999.
- Hahn, Paul. An Interesting Result in the Theory
of Well-Temperaments, 1996.
- Hoek van Dijke, Gilbert. Essays on Music Theory: Pitch, Tuning,
and the Physics of Musical Tone, 1997
- History of Opera by
Patricia Gray, Rhodes College.
- Holder, Ross. Music and Number,
1989.
- Instrumental Literature
by Katherine Norman, University of North Dakota.
- Internet Models for Artistic Expression
by David B. Williams and Jonathan Monhardt, Illinois State University.
- Introduction to World Music by
Robert W. Templeman, University of Illinois at Urbana-Champaign.
- Introduction to
World Music by Dane Kusic, Towson University.
- Jazz
Improvisation Course. by Joan Wildman, University of Wisconsin-Madison.
- Indiana
University Center for the History of Music Theory and Literature
- International Double Reed Society
- Journal
of Music theory
- Keenan, Dave. A strange 9-limit temperament,
1999.
- Keenan, Dave. Harmonic errors in open tunings,
1999.
- Kirby, Wayne J. Design for a Microtone and Brain Wave
Generator, 1998.
- Le Tempérament musical: Philosophie,
histoire, théorie et pratique. Société de musicologie du Languedoc, Béziers, 1990,
540 pages. Devie, Dominique.
- Lindley, Mark and Ronald Turner-Smith. An
Algebraic Approach to Mathematical
- Lullabies
in the Operas of Rimsky-Korsakov
- McLaren, Brian. "Microtonality in the United States"
- Manifesto
of Futurist Musicians 1910
- Miller, Leta E. and Fredric Lieberman. Lou Harrison: Composing a world.
1998.
- Monzo, Joseph L. JustMusic: A New Harmony -
Representing Pitch as Prime Series.
- Monzo, Joseph L. JustMusic
Prime-Factor Notation, 1998.
- Monzo, Joseph L. Use of Microtones in the
Vocals of Robert Johnson, 1998.
- Monzo, Joseph L. 5-Limit Implications of ancient
Indian tuning, 1998.
- Monzo, Joseph L. Program Notes to Hendrix
Chord, 1998.
- Monzo, Joseph L. Mathematical
Diagram of John Dowland's Lute Fretting, 1998.
- Monzo, Joseph L. Definitions of tuning terms,
1998.
- Models
of Scales, Music Theory Online vol. 0 no. 3, June 1993.
- Musical Quarterly
- Music
Appreciation by Scott Faulkner, University of Nevada, Reno.
- Music
Bibliography by John J. Deal, Florida State University.
- Music Fundamentals by
Gil Trythall, West Virginia University.
- Musical Heritage of Eastern
Europe and Russia by Patricia Gray, Rhodes College.
- Musics and Religions
by Dane Kusic, University of Maryland Baltimore County.
- Narayanan, Meera. The physics of music
- Opera by Tim Cordell,
Edinboro University of Pennsylvania.
- Overton, Ken. Distinctions Between
Just-tuned Key Areas within Musical Contexts
- Psychology of Music by Steve
Hedden, University of Arizona.
- Papadakis, Pavlos. On byzantine Chant, 1997.
- Purdam, Andrew. Comparison of Temperaments
- Ramesh, Mahadevan. A gentle introduction to South Indian
classical (Karnatic) music, 1996. http://khazana.com/music/gentle1.html
- Rusin, Dave. Mathematics and Music,
- Saunders, Michael. A
Computer-based Notation for the Process of Musical Composition. Thesis in
progress, 1998.
- Schulter, Margo. " Pythagorean Tuning and Medieval
Polyphony", June 1998.
- Sethares, William A. Relating Tuning and Timbre.
Revision of December 1993 article, 1997.
- Sethares, William A. Tuning, Timbre, Spectrum, Scale.
Springer-Verlag, London, 1998, 345 pages. With CD.
- Smith, Jeff. "The Partch Reverberations: Notes on a Musical
Rebel"
- Smith, Robert. Dr. Robert Smith's comments on John
Harrison's musical tuning ideas, in: Harmonics, 1749.
- Soderberg, Stephen. "
White Note Fantasy", Music Theory Online vol. 4 no. 3, 1998.
- Tenney, James. " John Cage and the Theory of
Harmony", Soundings vol. 13, 1984, pp. 55-83.
- Tomes, Ray. Automatic Just Intonation,
1996.
- Thesaurus
Musicarum Latinarum
- Walker, Jonathan. "
Intonational Injustice: A Defense of Just Intonation in the Performance of Renaissance
Polyphony", Music Theory Online vol. 2 no. 6, September 1996.
- Wilson, Ervin M. "On Linear Notations and the Bosanquet Keyboard",
Xenharmonikôn vol. 2 no. 1, 1975, 13 pages.
- Wilson, Ervin M. "On the Development of Intonational Systems by
Extended Linear Mapping", Xenharmonikôn vol. 3, 1975, 13 pages.
- Wilson, Ervin M. Scale-Tree (Peirce Sequence), 1994.
- What is Just Intonation? - Doty, David B.
- William A. "Local consonance and
the relationship between timbre and scale", Journal of the Acoustical Society
of America vol. 94 no. 3, September 1993, pp. 1218-1228.
- Williams, David B. and Jonathan Monhardt Software Design in the Arts
Illinois State University.
- 20th Century Art Music by
Patricia Gray, Rhodes College.
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